$13.38 Buy It Now or Best Offer
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Seller Store jonpaultrek2012
(196) 100.0%,
Location: Brooksville, Florida
Ships to: US,
Item: 373218380808
Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:14 Days
Refund will be given as:Money Back
Character:Captain Kirk
Modified Item:No
Type:Phaser
Vintage:No
Convention/Event:New York Comic Con
Genre:Science Fiction & Horror
jonpaultrek2012 ®:jonpaultrek2012 ®
Series/Movie:Original Series
Franchise:Star Trek
In general: all parts are shipped with the machine finish as shown in the LISTING PHOTOS. Final finishing is by the Buyer (prop maker) and may include whatever; polishing, graining, distressing, acid washes, electroplating, and other treatments as selected and executed by the Buyer. Most parts will have some cosmetic blemishes that the Buyer may/may-not want to remove or enhance. Thank You. Star Trek TOS, Phaser Metal Parts, Black and White Top Turn DialP2 Black and White Top Turn Dial, fits AA/DS and all others, Star Trek TOS, Phaser Metal Parts, fits all others too! Price is Each Black and White Top Turn Dial. INSTALLED EXAMPLES FOR REFERENCE PURPOSE ONLY. The aluminum is NOT ANODIZED and is of a more workable alloy type than others on the market. Why?, I used a special 6063-T5 (HE-6) un-anodized aluminum because it is workable by a prop builder. Anodizing hardens the material surface and that’s not always good because anodizing makes it difficult work the component. Notably anodizing makes it hard to; machine, grain and/or, further mirror polish, the component. I want you to have options: This component is easy to; mirror polish to brilliance, drill, file, acid weather, rolex grain and, do anything else you can come up with, your the prop builder and I say have some fun! I also do not like anodizing because it does not look “prop authentic” to the 1960’s TV show. DIMENSIONS: 15/32″ DIAMETER X 3/16″ THICK WITH 1/16″ 45 DEGREE CHAMFER ALONG TOP EDGE.Underside has Art Asylum friendly 5/15″ diameter (0.313 actual) x 1/8″ deep flat bottom mounting hole. See Listing Images.For Art Asylum use: use sprue-cutters to round-off and clip-down the Art Asylum top-turn plastic stud as shown and to 5/32″ in thickness. For other installs, just glue on. CLICK; EXPLODED PHASER 12mm LSR SLIDESHOW; YOUTUBE VIDEO CLICK; AA/DS PHASER-12mm LSR HOW-TO; YOUTUBE VIDEO CLICK; TOS-PHASER FIN FINISHING; YOUTUBE VIDEOCLICK; TOS-PHASER SIDE-RAIL FINISHING; YOUTUBE VIDEO METAL PARTS; Prior to use, all Metal Parts MUST be cleaned to remove machine coolant residue. RESIDUE IS NOT VISIBLE AND DOES NOT FEEL OILY, BUT IT IS THERE! Some Star Trek Prop History For Inquiring Minds:Most of these Prop Makers and Technicians have passed-on. Below are old-timer accounts of convention conversations before conventions were really a fad. (all these are therefore 2nd hand stories) Mr. Greg Jein was a very well known Star Trek TOS prop collector and authority (born October 31, 1945 in Los Angeles, USA; died May 22, 2022 in Los Angeles). He had personal friendships with all the listed Star Trek TOS production prop craftsmen (Bob Stone, James Rugg, Richard Heimer, John Dwyer, and Mr. Ruck). Greg was an acquaintance of mine (Jon-Paul L), and generously took the time to meet me in California on several occasions, beginning in 2018 right through 2021. He shall be missed.Mr. Jein was a filming model designer who, starting in the 1970s’, created miniatures for use in the special effects portions of many films and television series. Mr. Jein was nominated for an Academy Award for Best Visual Effects for “Close Encounters of the Third Kind” (1977) and, nominated for an Outstanding Special Visual Effects Emmy for “Angels in America” (1979).In the 1970s’ Greg worked onTV productions such as “Wonder Woman”, and “The UFO Incident”. Jein then went on to work on Spielberg’s film “1941”, where he and his team constructed a number of models including a twelve-foot model of the Ferris wheel that’s dislodged from its mount and rolls down the pier and into the water. For their work on “1941” Jein, William A. Fraker and A. D. Flowers were again nominated for an Academy Award for Best Visual Effects.Then in the 1980’s Greg Jein was invited to work on “Star Trek: The Motion Picture” building planetary models for Spock’s spacewalk scene and the interior of the V’Ger craft. Jein continued his association with Star Trek Films, building alien weapons for: “Star Trek V The Final Frontier”, Starfleet helmets for the assassination scene in “Star Trek VI The Undiscovered Country”. In 1986 for “Star Trek The Next Generation” Jein and a team at Industrial Light & Magic (ALM) built the original six-foot model of the USS Enterprise (NCC-1701-D), the Ferengi Marauder starship and, the Klingon Vor’cha.BACK TO STAR TREK TOS 1966 THRU 1969Mr. Bob Stone was Star Trek’s machinist and made all the metal prop parts for all three seasons of the show. Parts were made to order for each episode as in those times (the 1960’s) as machining was done by hand and there was no advantage to making short runs (and no studio funding either). Each episode had a specific budget. Speaking of budgets, Bob relied on his Star Trek friend Robert Archer (VP of Budgeting for the show) in getting a little leeway on the $ so he could do the best possible job. According to Bob there was no magic drum of Phaser Nozzles and every job was a mad-dash to meet the filming deadlines.Because parts were made only to order, parts varied quite a bit. These variations can be seen in all the surviving examples of TOS hand props from Phaser to Communicators and Tricorders. Sometimes it was not that a new design was needed but rather that when one Wings it from a sketch, in a hurry using what is on-hand, you get an unintended-new-version of something (in the 1960’s the TV audience never could see that).Robert Archer and Bob Stone worked closely together so when the show was canceled suddenly in season three, Robert Archer ended up with a nice collection of hand props. Richard Heimer made the molds for hand props. He also did all the casting and forming. This included; Vacuum form bucks, Fiberglass molds and urethane molds. Again, according to him most work is done in the normal Hollywood maddening rush. He shared with his convention friends that there were many molds made from molds when the production schedule demanded this. He also shared that when the show ended he rescued the molds from being discarded by putting them in his garage. James Ruggs (b. 1919) was the director of special effects for the show. He handled and repaired many of the props on-set. When the show was canceled in season three he rescued many hand props and even some models from the scrap heap. Dick Ruben, Prop & Art Assistant on the show, got his Set-Used Klingon disruptor from James. Mr. Ruggs held on to his rather large Star Trek collection for many years. It is widely known that Greg Jein got his Holy-Grail Hero Phaser from James.In closing a nod to Mr. Ruck, a prop technician, who reported that he repaired some hand props hundreds of times as they were often damaged during filming. He had also shared that the fiberglass Mid-Grade’s, and some other props often used basswood strips between the seams to establish uniform dimensions. Watch some YouTube Star Trek TOS bloopers to see what he was talking about when it comes to repairs and hand props flying apart.The jonpaultrek2012™® company Supports the right to free expression and the value of the copyright. The purpose of the copyright is to encourage writers, filmmakers and artists to produce the creative works that enrich our culture. All scanning, uploading, and distribution of the content of this web posting without permission is theft of the author’s Intellectual Property. if you would like permission to use the material from this website (Other than for the intended review purposes) Please contact me for permission. All new products sold on this website are produced under license From: jonpaultrek2012™® LLC, Florida corporation, located in the United States of America.
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