RETURN OF THE FLINTSTONES – Card #04 – The Good Scout – Cardz – 1994

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Set:The Return Of The Flintstones
Character:Fred Flintstone,Wilma Flintstone,Barney Rubble,Betty Rubble
Country/Region of Manufacture:United States
Card Size:Standard
Material:Card Stock
Card Condition:Near Mint
Graded:No
Type:Non-Sport Trading Card
Features:Individual Card from Base Set
TV Show:The Flintstones
Vintage:Yes
Year Manufactured:1994
Manufacturer:Cardz
Language:English
Original/Licensed Reprint:Original
Genre:Animation,Animated Sit-Com,Cult US TV Show,Cartoon,Comedy
Franchise:The Flintstones,Flintstones
Autographed:No

THE RETURN OF THE FLINTSTONES – Individual Trading Card from the base set issued by Cardz in 1994. The Flintstones is an American animated sitcom produced by Hanna-Barbera Productions. The series takes place in a romanticized Stone Age setting and follows the activities of the title family, the Flintstones, and their next-door neighbors, the Rubbles (who are also their best friends). It was originally broadcast on ABC from September 30, 1960 to April 1, 1966, and was the first animated series to hold a prime time slot on television. The continuing popularity of The Flintstones rests heavily on its juxtaposition of modern everyday concerns in the Stone Age setting. The Flintstones was the most financially successful and longest-running network animated television series for three decades, until The Simpsons, which debuted in late 1989, outlasted it. In 2013, TV Guide ranked The Flintstones the second-greatest TV cartoon of all time (after The Simpsons). Overview The show is set in a comical version of the Stone Age but has added features and technologies which resemble mid-20th-century suburban America. The plots deliberately resemble the sitcoms of the era, with the caveman Flintstone and Rubble families getting into minor conflicts characteristic of modern life. The show is set in the Stone Age town of Bedrock (pop. 2,500). Non-avian dinosaurs and other animals are portrayed to co-exist during the time of cavemen, saber-toothed cats, and woolly mammoths. Animation historian Christopher P. Lehman considers that the series draws its humor in part from creative uses of anachronisms. The main one is the placing of a “modern”, 20th-century society in prehistory. This society takes inspiration from the suburban sprawl developed in the first two decades of the postwar period. This society has modern home appliances, but they work by employing animals. They have automobiles, but they hardly resemble the cars of the 20th century. These cars are large wooden and rock structures and burn no fuel. They are powered by people who run while inside them. This depiction is inconsistent, however. On some occasions, the cars are known to have engines (with appropriate sound-effects), requiring ignition keys and gasoline. Fred might pull into a gas station and say, “Fill ‘er up with Ethel”, which is pumped through the trunk of a woolly mammoth marked “ETHEL.” Whether the car runs by foot or by gas varies according to the needs of the story. Finally, the stone houses of this society are cookie-cutter homes positioned into neighborhoods typical of mid-20th-century American suburbs. Characters The Flintstones Fred Flintstone – The main character of the series. Fred is an accident-prone bronto-crane operator at the Slate Rock and Gravel Company and the head of the Flintstone household. He is quick to anger (usually over trivial matters), but is a very loving husband and father. He is also good at bowling and is a member of the fictional “Loyal Order of Water Buffaloes” (Lodge No. 26), a men-only club paralleling real-life fraternities such as the Loyal Order of Moose. His famous catchphrase is “Yabba Dabba Doo!” Wilma Flintstone – Fred’s wife and Pebbles’ mother. She is more intelligent and level-headed than her husband, though she often has a habit of spending money (with Betty’s and her catchphrase being “Da-da-da duh da-da CHARGE IT!!”). She often is a foil to Fred’s poor behavior, but is a very loyal wife to him. She is also a very jealous woman who is easily angered if there’s even a hint of another woman (especially a pretty one) having anything to do with Fred. Pebbles Flintstone – The Flintstones’ infant daughter, who is born near the end of the third season. Dino – The Flintstones’ pet dinosaur that acts like a dog. A running gag in the series involves Fred coming home from work and Dino getting excited and knocking him down and licking his face repeatedly. Baby Puss – The Flintstones’ pet saber-toothed cat, which is rarely seen in the actual series but is always seen throwing Fred out of the house during the end credits, causing Fred to pound repeatedly on the front door and yell “Wilma!”, waking the whole neighborhood in the process. The Rubbles Barney Rubble – The secondary main character and Fred’s best friend and next-door neighbor. His occupation is, throughout most of the series, unknown, though later episodes depict him working in the same quarry as Fred. He shares many of Fred’s interests such as bowling and golf, and is also a member of the “Loyal Order of Water Buffaloes”. Though Fred and Barney frequently get into feuds with one another (usually due to Fred’s short temper), their deep fraternal bond remains very evident. Betty Rubble – Barney’s wife and Wilma’s best friend. Like Wilma, she, too, has a habit of spending money and also is highly jealous of other pretty women being around her husband. Bamm-Bamm Rubble – The Rubbles’ abnormally strong adopted son, whom they adopt during the fourth season; his name comes from the only phrase he ever speaks as a baby: “Bamm, Bamm!” Hoppy – The Rubbles’ pet hopparoo (a kangaroo-dinosaur combination creature), which they purchase at the beginning of the fifth season. When he first arrives, Dino and Fred mistake him for a giant mouse and are frightened of him, but they eventually become best friends after Hoppy gets help when they are in an accident. He babysits the kids as he takes them around in his pouch, which also serves as a shopping cart for Betty. Other characters Over 100 other characters appeared throughout the program. Mr. George Slate – Fred and Barney’s hot-tempered boss at the gravel pit. Mr. Slate fires Fred on several occasions throughout the series, only to give him his job back by the end of the episode. A running gag is Slate’s ever-changing first name, which was revealed to be Sylvester, Nate, Oscar, and George as the series progressed. In the episode “The Long, Long, Long Weekend” which originally aired on January 21, 1966, he is shown as being the founder of “Slate Rock and Gravel Company”; still in business two million years later, the company is operated by his descendant, “George Slate the Eighty-Thousandth”. Note, in the early Flintstones episodes, the more recognized “Mr. Slate” character was known as “Mr. Rockhead” and was a supervisor of Fred’s. Mr. Slate was a short character. During the course of the cartoon, the two men switched identities and the shorter character faded away from existence. Arnold – The Flintstones’ paperboy, whom Fred absolutely despises, mainly because Arnold is frequently able to best and outsmart Fred at a number of tasks and also because he often (“unintentionally”) throws the newspaper in Fred’s face. Arnold’s parents are mentioned in the series, but his mother Doris, a friend of Wilma and Betty’s (as evidenced in the episode “The Little Stranger”, which originally aired on November 2, 1962), is referenced in name only, never actually appearing onscreen. Arnold’s father, however, did appear in the episode “Take Me Out to the Ball Game”, which originally aired on April 27, 1962, though his name is never mentioned. Joe Rockhead – A mutual friend of Fred and Barney. Usually, when Fred and Barney have some kind of falling out, Fred mentions doing something (such as going to a baseball game) with Joe. Joe was, at some point, chief of the Bedrock Volunteer Fire Department as shown on the episode “Arthur Quarry’s Dance Class”, which originally aired on January 13, 1961. His appearance varied throughout the run of the series, but his appearance in the episode “The Picnic”, which originally aired on December 15, 1961, was the one most commonly used. Pearl Slaghoople – Wilma’s hard-to-please mother, Fred’s mother-in-law and Pebbles’ maternal grandmother, who is constantly disapproving of Fred and his behavior. Their disastrous first meeting was recounted in the episode “Bachelor Daze”, which originally aired on March 5, 1964. They briefly reconciled in the episode “Mother-in-Law’s Visit”, which originally aired on February 1, 1963. That is, until, she found out that she became Fred’s “nice fat pigeon” when he suckered her out of money that he needed to buy a baby crib for Pebbles. They reconciled again at the end of the TV movie I Yabba Dabba Do. The Great Gazoo – An alien exiled to Earth that helps Fred and Barney, often against their will. The Great Gazoo is actually from the future,and is quite dismayed when he realizes he has been sent back to “the Stone Age”. He can only be seen by Fred, Barney, Pebbles, Bamm-Bamm, other small children, Dino, and Hoppy. Gazoo appeared in the final season only. Uncle Tex Hardrock is Fred’s maternal uncle and a member of the Texarock Rangers. He constantly holds Fred’s future inheritance over his head. Sam Slagheap – The Grand Poobah of the Water Buffalo Lodge. The Gruesomes – A creepy but friendly family that moves in next door to the Flintstones in later seasons. Weidly Gruesome – The patriarch of the Gruesome Family who works as a reality show host. Creepella Gruesome – The tall wife of Weidly. Goblin “Gobby” Gruesome – The son of Weidly and Creepella. Uncle Ghastly – The towering brother of Weirdly and uncle of Gobby who is mostly shown as a large furry hand coming out of a well or a wall. His shadow was also seen in their debut episode. Occy – The Gruesome Family’s pet octopus. Schneider – Gobby’s pet giant spider. The Hatrocks – A family of hillbillies that originally feuded with the Flintstones’ Arkanstone branch in the style of the Hatfield-McCoy feud. Fred and Barney reignite a feud with them in “The Bedrock Hillbillies when Fred inherits San Cemente from the late Zeke Flintstone over who made the portrait of Fred’s great-great-uncle Zeke. The Hatrocks later returned in “The Hatrocks and the Gruesomes” where they bunk with the Flintstones during their trip to Bedrock World’s Fair and their antics start to annoy them. The Flintstones, the Rubbles, and the Gruesomes were able to drive them away by performing the Four Insects song “She Said Yeah Yeah Yeah.” When they found that the Bedrock World’s Fair was having the Four Insects performing, the Hatrocks fled back to Arkanstone. Jethro Hatrock – The patriarch of the Hatrock Family. He had brown hair in “The Hatrocks and the Flintstones” and taupe-gray in “The Hatrocks and the Gruesomes.” Gravella Hatrock – The wife of Jethro. Zack Hatrock – The oldest son of Jethro and Gravella. Slab Hatrock – The youngest son of Jethro and Gravella. Granny Hatrock – The mother of Jethro and grandmother of Zack and Slab. Benji Hatrock – The son-in-law of Jethro. Percy – The Hatrock’s pet Dogasaurus. Voice cast Alan Reed – Fred Flintstone, Uncle Ghastly Jean Vander Pyl – Wilma Flintstone/Pebbles Flintstone Mel Blanc – Barney Rubble, Dino, Zack Hatrock Daws Butler – Barney Rubble (season 2; episodes 1, 2, 5, 6, and 9 only) Bea Benaderet – Betty Rubble (seasons 1–4), Gravella Hatrock Gerry Johnson – Betty Rubble (seasons 5–6), Granny Hatrock (in “The Hatrocks and the Gruesomes”) Don Messick – Bamm-Bamm Rubble, Hoppy, Arnold, Gobby Gruesome John Stephenson – Mr. Slate, Joe Rockhead, Sam Slagheap Verna Felton – Pearl Slaghoople (first time) Janet Waldo – Pearl Slaghoople (later appearances) Harvey Korman – The Great Gazoo Additional voice cast Henry Corden Walker Edmiston June Foray – Granny Hatrock (in “The Bedrock Hillbillies”) Sandra Gould Naomi Lewis – Creepella Gruesome Allan Melvin Howard Morris – Weirdly Gruesome, Schneider, Jethro Hatrock, Slab Hatrock, Percy Hal Smith Ginny Tyler Doug Young – Benji Hatrock Voice actor details Fred Flintstone physically resembles both the first voice actor who played him, Alan Reed, and Jackie Gleason, whose series, The Honeymooners, inspired The Flintstones. The voice of Barney Rubble was provided by voice actor Mel Blanc, except for five episodes during the second season (the first, second, fifth, sixth, and ninth); Hanna-Barbera regular Daws Butler filled in and provided the voice of Barney while Blanc was incapacitated by a near-fatal car accident. Blanc was able to return to the series much sooner than expected, by virtue of a temporary recording studio for the entire cast set up at Blanc’s bedside. Blanc’s portrayal of Barney had changed considerably after the accident. In the earliest episodes, Blanc had used a much higher pitch to the point of portraying Barney as a smart-aleck. After his recovery from the accident, Blanc used a deeper voice, quite similar to the voice of the Abominable Snowman he performed in other cartoons and was shown as somewhat dopier than before. Reed based Fred’s voice upon Gleason’s Honeymooners interpretation of Ralph Kramden, while Blanc, after a season of using a nasal, high-pitched voice for Barney, eventually adopted a style of voice similar to that used by Art Carney in his portrayal of Ed Norton. The first time the Art Carney-like voice was used was for a few seconds in “The Prowler” (the third episode produced). In a 1986 Playboy interview, Gleason said Alan Reed had done voice-overs for Gleason in his early movies and that he had considered suing Hanna-Barbera for copying The Honeymooners but decided to let it pass. According to Henry Corden, a voice actor and a friend of Gleason’s, “Jackie’s lawyers told him he could probably have The Flintstones pulled right off the air. But they also told him, ‘Do you want to be known as the guy who yanked Fred Flintstone off the air? The guy who took away a show so many kids love and so many parents love, too?’” Henry Corden’s voice became Fred’s after Reed’s death in 1977, starting with A Flintstone Christmas. Corden had previously provided Fred’s singing voice in The Man Called Flintstone and later on The Flintstones children’s records. Since 2000, Jeff Bergman, James Arnold Taylor, and Scott Innes (performing both Fred and Barney for Toshiba commercials) have performed the voice of Fred. Since Mel Blanc’s death in 1989, Barney has been voiced by Jeff Bergman, Frank Welker, and Kevin Michael Richardson. Various additional character voices were created by Hal Smith, Allan Melvin, Janet Waldo, Daws Butler, and Howard Morris, among others. Music The opening and closing credits theme during the first two seasons was called “Rise and Shine”, a lively instrumental underscore accompanying Fred on his drive home from work. The tune resembled “The Bugs Bunny Overture (This Is It!)”, the theme song of The Bugs Bunny Show, also airing on ABC at the time, and may have been the reason the theme was changed in the third season. Starting in season 3, episode 3 (“Barney the Invisible”), the opening and closing credits theme was the familiar vocal “Meet the Flintstones”. This version was recorded with a 22-piece big band, and the Randy Van Horne Singers. The melody is derived from part of the ‘B’ section of Beethoven’s Piano Sonata No. 17 Movement 2, composed in 1801/02. The “Meet the Flintstones” opening was later added to the first two seasons for syndication. The musical underscores were credited to Hoyt Curtin for the show’s first five seasons; Ted Nichols took over in 1965 for the final season. Many early episodes used the underscores composed for “Top Cat” and “The Jetsons.” Episodes of the last two seasons used the underscore of “Jonny Quest” for the more adventurous stories. History and production The idea of The Flintstones started after Hanna-Barbera produced The Huckleberry Hound Show and The Quick Draw McGraw Show. Although these programs were successful, they did not have the same wide audience appeal as their previous theatrical cartoon series Tom and Jerry, which entertained both children and the adults who accompanied them. However, since children did not need their parents’ supervision to watch television, Hanna-Barbera’s output became labeled “kids only”. Barbera and Hanna wanted to recapture the adult audience with an animated situation comedy. Barbera and Hanna experimented with hillbillies (a hillbilly theme was later incorporated into two Flintstones episodes, “The Bedrock Hillbillies” and “The Hatrocks and the Gruesomes”), Romans (Hanna-Barbera eventually created The Roman Holidays), pilgrims, and Indians as the settings for the two families before deciding on the Stone Age. According to Barbera, they settled on that because “you could take anything that was current, and convert it to stone-age”. Under the working title The Flagstones, the family originally consisted of Fred, Wilma, and their son, Fred, Jr. A brief demonstration film was also created to sell the idea of a “modern stone-age family” to sponsors and the network.:3 It was a difficult sell, and required eight weeks of daily presentations to networks and ad agencies. Animator Kenneth Muse, who worked on the Tom and Jerry cartoons, also worked on the early seasons of The Flintstones. The show imitated and spoofed The Honeymooners, although the early voice characterization for Barney was that of Lou Costello. William Hanna admitted that “At that time, The Honeymooners was the most popular show on the air, and for my bill, the funniest. The characters, I thought, were terrific. Now, that influenced greatly what we did with The Flintstones … The Honeymooners was there, and we used that as a kind of basis for the concept.”[citation needed] However, Joseph Barbera disavowed these claims in a separate interview, stating that, “I don’t remember mentioning The Honeymooners when I sold the show. But if people want to compare The Flintstones to The Honeymooners, then great. It’s a total compliment. The Honeymooners was one of the greatest shows ever written.” Jackie Gleason, creator of The Honeymooners, considered suing Hanna-Barbera Productions, but decided that he did not want to be known as “the guy who yanked Fred Flintstone off the air”. Another influence was noted during Hanna-Barbera’s tenure at MGM, where they were in a friendly competition with fellow cartoon director Tex Avery. In 1955, Avery directed a cartoon entitled “The First Bad Man” (narrated by cowboy legend Tex Ritter). The cartoon concerned the rowdy antics of a bank robber in stone-age Dallas. Many of the sight gags from that series predated similar situations used by Hanna-Barbera in the Flintstones series by many years. Many students of American animation point to this cartoon as a progenitive seed of the Flintstones. The concept was also predated by the Stone Age Cartoons series of 12 animated cartoons released from January 1940 to September 1940 by Fleischer Studios. These cartoons show stone-age people doing modern things with primitive means. One example is Granite Hotel including characters such as a newsboy, telephone operator, hotel clerk, and a spoof of Edgar Bergen and Charlie McCarthy. Barbera explained that selling the show to a network and sponsors was not an easy task. Here we were with a brand new thing that had never been done before, an animated prime-time television show. So we developed two storyboards; one was they had a helicopter of some kind and they went to the opera or whatever, and the other was Fred Flintstone and Barney Rubble fighting over a swimming pool. So I go back to New York with a portfolio and two half-hour boards. And no-one would even believe that you’d dare to suggest a thing like that, I mean they looked at you and they’d think you’re crazy. But slowly the word got out, and I used the presentation which took almost an hour and a half. I would go to the other two boards and tell them what they did, and do all the voices and the sounds and so-on, and I’d stagger back to the hotel and I’d collapse. The phone would ring like crazy, like one time I did Bristol-Myers, the whole company was there. When I got through I’d go back to the hotel the phone would ring and say “the president wasn’t at that meeting, could you come back and do it for him.” So I had many of those, one time I had two agencies, they’d fill the room I mean God about 40 people, and I did this whole show. I got to know where the laughs were, and where to hit it, nothing; dead, dead, dead. So one of the people at Screen Gems said “This is the worst, those guys….” he was so angry at them. What it was, was that there were two agencies there, and neither one was going to let the other one know they were enjoying it. But I pitched it for eight straight weeks and nobody bought it. So after sitting in New York just wearing out, you know really wearing out. Pitch, pitch, pitch, sometimes five a day. So finally on the very last day I pitched it to ABC, which was a young daring network willing to try new things, and bought the show in 15 minutes. Thank goodness, because this was the very last day and if they hadn’t bought it, I would have taken everything down, put it in the archives and never pitched it again. Sometimes I wake up in a cold-sweat thinking this is how close you get to disaster. When the series went into production, the working title The Flagstones was changed, possibly to avoid confusion with the Flagstons, characters in the comic strip Hi and Lois. After spending a brief period in development as The Gladstones (GLadstone being a Los Angeles telephone exchange at the time), Hanna-Barbera settled upon The Flintstones, and the idea of the Flintstones having a child from the start was discarded, with Fred and Wilma starting out as a childless couple. However, some early Flintstones merchandise, such as a 1961 Little Golden Book, included “Fred Jr.” Despite the animation and fantasy setting, the series was initially aimed at adult audiences, which was reflected in the comedy writing, which, as noted, resembled the average primetime sitcoms of the era, with the usual family issues resolved with a laugh at the end of each episode, as well as the inclusion of a laugh track. Hanna and Barbera hired many writers from the world of live-action, including two of Jackie Gleason’s writers, Herbert Finn and Sydney Zelinka, as well as relative newcomer Joanna Lee while still using traditional animation story men such as Warren Foster and Michael Maltese. The Flintstones premiered on September 30, 1960, at 8:30 pm Eastern time, and quickly became a hit. It was the first American animated show to depict two people of the opposite sex (Fred and Wilma; Barney and Betty) sleeping together in one bed, although Fred and Wilma are sometimes depicted as sleeping in separate beds. For comparison, the first live-action depiction of this in American TV history was in television’s first-ever sitcom: 1947’s Mary Kay and Johnny. The first two seasons were co-sponsored by Winston cigarettes and the characters appeared in several black-and-white television commercials for Winston (dictated by the custom, at that time, that the star(s) of a TV series often “pitched” their sponsor’s product in an “integrated commercial” at the end of the episode). During the third season, Hanna and Barbera decided that Fred and Wilma should have a baby. Originally, Hanna and Barbera intended for the Flintstone family to have a boy, the head of the marketing department convinced them to change it to a girl since “girl dolls sell a lot better than boy dolls”. Although most Flintstones episodes were stand-alone storylines, Hanna-Barbera created a story arc surrounding the birth of Pebbles. Beginning with the episode “The Surprise”, aired midway through the third season (January 25, 1963), in which Wilma reveals her pregnancy to Fred, the arc continued through the time leading up to Pebbles’ birth in the episode “Dress Rehearsal” (February 22, 1963), and then continued with several episodes showing Fred and Wilma adjusting to the world of parenthood. Around this time, Winston pulled out their sponsorship and Welch’s (grape juice and grape jellies) became the primary sponsor, as the show’s audience began to shift younger. The integrated commercials for Welch’s products feature Pebbles asking for grape juice in her toddler dialect, and Fred explaining to Pebbles Welch’s unique process for making the jelly, compared to the competition. Welch’s also produced a line of grape jelly packaged in jars which were reusable as drinking glasses, with painted scenes featuring the Flintstones and characters from the show. In Australia, the Nine Network ran a “Name the Flintstones’ baby” competition during the ‘pregnancy’ episodes—few Australian viewers were expected to have a U.S. connection giving them information about past Flintstone episodes. An American won the contest and received an all-expenses-paid trip to tour Hanna-Barbera Studios. Another arc occurred in the fourth season, in which the Rubbles, depressed over being unable to have children of their own (making The Flintstones the first animated series in history to address the issue of infertility, though subtly), adopt Bamm-Bamm. The 100th episode made (but the 90th to air), “Little Bamm-Bamm Rubble” (October 3, 1963), established how Bamm-Bamm was adopted. Nine episodes were produced before it but aired afterward, which explains why Bamm-Bamm was not seen again until episode 101, “Daddies Anonymous” (Bamm-Bamm was in a teaser on episode 98, “Kleptomaniac Pebbles”). Another story arc, occurring in the final season, centered on Fred and Barney’s dealings with the Great Gazoo (voiced by Harvey Korman). After Pebbles’ birth, the tone and writing became more juvenile and ratings from the adult demographic began to decline. The last original episode was broadcast on April 1, 1966. The first three seasons of The Flintstones aired Friday nights at 8:30 Eastern time on ABC, with the first two seasons in black-and-white. Beginning with the third season in 1962, ABC televised the Flintstones in color, one of the first programs in color on that network. Season four and part of season five aired Thursdays at 7:30. The rest of the series aired Fridays at 7:30. In the U.S., syndicated reruns of the series were offered to local stations until 1997, when E/I regulations and changing tastes in the industry led to the show’s move to cable television. From the time of Ted Turner’s purchase of Hanna-Barbera in 1991, TBS, TNT, and Cartoon Network aired the program. On April 1, 2000, the program moved to Boomerang, where it aired until March 6, 2017 (in its last years on the channel, it had been relegated to a graveyard slot) and returned to the channel on July 30, 2018. Online, the series was made available on the In2TV service beginning in 2006, then the online version of Kids’ WB until that service was discontinued in 2015. As of 2017, full episodes are only available in the U.S. on Boomerang’s subscription video-on-demand service, with select clips made available on the official YouTube account tied to the revamped Kids’ WB website. In 2019, MeTV acquired rerun rights to the series, returning the show to broadcast television for the first time in over 20 years. Reception The night after The Flintstones premiered, Variety magazine called it “a pen and ink disaster”, and the series was among many that debuted in a “vast wasteland” of a 1960–61 television season considered one of the worst in television history up to that point. As late as the 1980s, highbrow critics derided the show’s limited animation and derivative plots. Despite the mixed critical reviews at first, The Flintstones has generally been considered a television classic and was rerun continuously for five decades after its end. In 1961, The Flintstones became the first animated series to be nominated for the Primetime Emmy Award for Outstanding Comedy Series, but lost out to The Jack Benny Program. In January 2009, IGN named The Flintstones as the ninth-best in its “Top 100 Animated TV Shows”. The first season of the series received an approval rating of 100% on review aggregator Rotten Tomatoes, based on five reviews.

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